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Dec 26, 2009 Brantley Gilbert at State Theatre Albany Ga

Brantley Gilbert knows that tomorrow is no guarantee. Just over five years ago the talented singer/songwriter was ignoring his deepest ambition of becoming a country singer and was just going through the motions of everyday life. It wasn’t until a nearly-fatal car accident that Brantley opened his eyes, realized the importance of living each day to the fullest, and decided to pursue his love for music as a career.

Brantley was born and raised in the small town of Jefferson, Georgia, just outside of Athens city limits. It is that upbringing and small town influence Brantley credits toward allowing him to cultivate his unique sound. With well-known rock bands REM and the B-52s having roots nearby, Brantley’s taste in music always swayed toward a rock feel, but his true-to-life testimony of heartache, trials, triumph, and success found a home in country music.

After taking the stage night-after-night with just his guitar and opening for other country artists throughout the southeast, Brantley began to notice familiar faces in the crowds. A group of believers who shared Brantley’s passion for life and music had developed, and pretty soon the following had taken-on a life of its own. Brantley quickly realized that his acoustic shows—however intimate—didn’t satisfy his audience’s thirst for his rock-infused country music. In order to meet their demand, Brantley formed a band.

“We went from these acoustic shows to a bona fide country-rock-soul show that is wide-ass open,” says Gilbert. “Even when we play a ballad it’s high energy.”

With the fans demanding new music from Brantley, he came to Nashville, Tennessee where he soon signed with Warner Chappell Publishing and began to develop music for a debut album release. One of his songs, “The Best of Me,” was recorded by Jason Aldean and earned a spot on his latest album, WIDE OPEN. Since, Brantley has signed a record deal with Average Joe’s Entertainment and collaborated with top-charting act and labelmate Colt Ford to write and record, “Dirt Road Anthem,” which is currently featured on Ford’s multiple-week Top 25 Billboard album, RIDE THROUGH THE COUNTRY.

“I’ve realized that life can be very short, and everyone should take advantage of it,” he said. “If you’re gonna live, do something with it. Make it great.”

And great it is. Brantley will celebrate a national album release in 2009 with A MODERN DAY PRODIGAL SON which features hit singles, “G.R.I.T.S.” and “Whenever We’re Alone.”

As tour dates multiply throughout the South, Brantley’s fan base continues to expand, and like most artists these days, fans can stay updated about tour dates and news via MySpace. His page garners more than 25,000 listeners daily— a number that has brought him to the #1 spot on MySpace Music Charts for both country and southern rock.

For more information about Brantley Gilbert, visit www.myspace.com/brantleygilbertmusic.

  • WHAT: Brantley Gilbert coming to State Theatre in Albany, Georgia.
  • WHEN: Saturday, Dec. 26, 2009 at 9:15 p.m.
  • WHERE: State Theatre, 313 Pine Ave.

TICKETS: Call 436-1228 fo

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Music Scene: Hip Hop Radio

Cecillia “CeCe” Morris and her daughter, Talia Ashley, are continuing their efforts to bring the community together through their new iPositive Talk Radio (www.blogtalkradio.com/ipositivetalk), broadcast weekly each Sunday at 5 p.m.

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Albany Music Scene: Relapse (sort of) reincarnated

Way back in 1992, Russell Martin, Bill Harrell, Mill Brooks, Larry Foreman, Tommy Lashley, and Henry Hart use to get together and play the kind of music they loved: beach music, the classics of Motown, and just good old rock ‘n roll.

They had a blast

Lashley, Foreman, and Brooks had been tossing around the idea of starting up a band as a hobby for years. When they raised the idea with Martin, he went to work, securing a PA system and a place to rehearse. As the lead vocalist and lead persona of the bunch, Martin saw the whole thing as simply friends relapsing into the days of their collective youth, and from that thought came the band that Albany and Southwest Georgia knows today as Relapse. The guys simply kept doing what they liked to do, the performances kept getting better, and the crowds kept getting larger.

Half the fun of hearing Relapse play, is watching how much fun they are having. It is as it has been from the very beginning — a group of guys getting together to do what they love doing.That is their secret. If they are happy, you are happy.

In what seemed like the blink of an eye, Relapse had become one of the most popular local bands to come around in a long time. Not since the days of Eddie Middleton and Cotton had an area band garnered such a loyal and supportive fan base. If you wanted your party or fund=raiser to draw a crowd, you booked Relapse. It was just the beginning of a journey that would bring the name “Relapse” into the 21st century, with no end in sight.

Every member of the band then had, and today has, real jobs, and full lives. There has never been a plan to shuck it all and hit the road for fame and fortune. Instead, play dates were worked into everyone’s schedules. They turned down more gigs than they played, never doing any more than eighteen shows in a year. Yet, somehow they managed to build up a reputation as a serious party and special event band. The formula actually required no mixing other than getting these life-long musicians together, amped up, and ready.

With raw talent, and Martin’s connections in the area, Relapse played to large crowds that had the social networks to spread the word fast. In a few short years the group offered much more than just the standard, guitars, vocals, and drums. Relapse soon rounded out their very full sound with a brass section that today, sets them apart from most area bands. They had quickly become the local show band of first choice, and all they had set out to do was have a lot of fun and share it.

Over the years, because of job changes, life changes, and such, the membership roster shifted now and again. The Relapse we know today began to take shape in 1994, when Benny Lomineck joined as the group’s base player. Then in 1996, Tommy Presley took over behind the drums and added more vocals, and Mark Davis signed up as the band’s sound and lighting technician. All through the 90s, Relapse continued to deliver the goods. The turn of the century saw the addition of Mac Alexander on trumpet, and Graham Crosby on sax and vocals in 2003, and Joe Maxey on trumpet in 2006. Having more fun onstage than anyone attending a show, the group continued to give every performance their all, seeming to pick up more energy with every new addition. It looked like these old boys could keep on keeping on for as long as they wanted to do it. But in 2007, things changed. That’s when Russell Martin was diagnosed with pancreatic cancer.

Martin continued to perform, and for a while things kept right on going for Relapse. In time however, Martin’s illness and energy level began to take its toll, and fewer performances were booked, some without their lead vocalist. The last thing in the world Martin wanted to see was the breakup of Relapse because of his condition, so the guys stayed together and dealt with the situation as best as they could. It had become more than a band by now. Relapse was a part of their lives, and at a time like this, the friendships and support it meant were priceless. Band members recalled the last time that Martin appeared with the group in public. It was at a performance in Destin, Fla.. Midway into the set, Martin came up from out of the crowd to sing a few songs.

“He had Mark give him a wireless microphone, and all of sudden we heard him singing as he walked up,” said Maxey, “We had no idea. It was a nice surprise.”

That powerful moment was ingrained in their memory forever. Everyone knew this would be the last time their front man and driving force would share the stage with them. They also knew that Relapse would keep playing. It is who they are.

Martin passed away on Sept. 8, 2008, and for a few months, as the group dealt with the loss, Relapse stopped performing. But not for long.

Later that year, keyboardist Ed McRee came on board. The next step was to find a permanent lead vocal replacement for Martin, if the band was going to maintain the format and style that everyone had come to expect. Albany chiropractor Davis Kinney, who had auditioned for the slot, was the obvious first choice. Kinney accepted the offer, and found a way to blend right in, doing what everyone agrees has been a fabulous job. Like the founding members, and the newest ones, his motivation was the same. Relapse is about the music and the joy of playing with kindred spirits.

There is one thing Relapse is not. It is not about the business of building and scheduling a band. Nobody is giving up their day jobs.The guys have been playing music for so long, many since childhood, that rehearsals are not a part of the process. They are quite capable of knocking out tunes on the fly, having never played them together before. If they mess up, they are usually the only ones that notice. Half the fun of hearing Relapse play, is watching how much fun they are having. It is as it has been from the very beginning — a group of guys getting together to do what they love doing.That is their secret. If they are happy, you ar e happy.

The other element of their popularity is the fact that they are “us”. Being in Relapse is almost like something they do as a way of offering a little community support, adding a bit of excitement to the lives of area folks. They manage to perform around their own family lives and work, which makes the level of performance even more amazing. It’s fair to say that Relapse has been “reincarnated” in some manner, but the process has been gradual over time. There was never a moment when the band shut down for good, only to be “reborn” with an all new group of guys under the name. The original spirit and motivation behind Relapse has been slowly and easily passed from member to member, holding on to a real sense of continuity.

When Tommy Lashley and Henry Hart recently decided to retire from the band, Jeff Lindquist stepped up this past spring to take over at lead guitar. When Lindquist had to drop out because of a move with his job, Lashley returned to help out as needed.

Today, the ’09 Relapse permanent lineup, in the order of when they joined, looks like this:

  • 1994 – Benny Lomineck, base player / Bridge Inspector for the GA DOT
  • 1996 – Tommy Presley, drums and vocals / Sales Rep for Cintas1996 – Mark Davis, sound and lighting tech / Owner of AVM Audio
  • 2003 – Mac Alexander, trumpet / Engineer for ATT
  • 2003 – Graham Crosby, saxophone and vocals / Pharmaceutical Rep
  • 2006 – Joe Maxey, trumpet / Retired Military
  • 2008 – Ed McRee, keyboards / Ed Jordan Music
  • 2008 – Davis Kinney, lead vocals / Chiropractor

A side development associated with Relapse is the attention they get from younger crowds. It was assumed at the outset that the band would attract the older folks with its format and style. The kids today that come out for a Relapse show were not even close to being born when many of the songs were on the charts. It doesn’t seem to matter. Good music is good music, and a party is a party. Relapse has managed to bridge the generations without making a serious effort to do so. It just happens.

LonMcNeil 09Written by Lon McNeil. Mr. McNeil is an Albany independent marketing consultant. Find him online at AlbanyOnPoint.

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C-room reunion: A night for the ages!

What a success! It started on Tuesday as musicians from across the country streamed in for the greatest music event of our generation. One at a time they came back to Albany for a reunion of some of the best musicians to have been from Albany during the 1960s and 1970.

Roger Gutierrez from the Swinging Medallions; Jimbo Thornton of Kudzoo and Ratz in the Attic; and Jimmy Tipton, guitarist with Tanya Tucker, The Righteous Brothers and Don Williams among others. The original Cotton and their earlier group the Seros with Eddie Middleton, Bobby Joiner, Stan Glass. Mark Yarbrough, Roy Stephens and Jeffery Cheshire and the original Strange Bedfellows were all there, as well.

cRoom2The big reunion was on Saturday night but many met on Friday night for an impromptu jam session which lasted until closing. Bassist Mike King, Jimbo Thornton, Danny Fallin, Dave Walters made the amps boil over with some Southern-fried blues, old gold soul and just plain rock-n-roll. The Saturday-night reunion-fest was kicked off with a heart-warming prayer by Bro. Stan Glass. Jaxon Riley then took over the duties of emcee for the evening doing a fine job of introduction and history for each group.

The Big Ernie Soul four-piece trio blasted off the night with the old Continental Room renditions of “In the Midnight Hour” followed by “Whiter Shade of Pale”, and “Mustang Sally”. Ernie, Danny Fallin, Johnny McNair and Jimmy Tipton all played as if they were again standing there on the stage of the old C-room in the late 60s.

The Carpet Baggers brought back memories as Dave Walters pounded on the skins and Danny Fallin sang as always in their wonderful delivery of tunes they played as one of the best groups of the era.

Then, against all odds and to the delight of a huge crowd, Cotton took to the stage with all the original band members — Stan Glass, Roy Stephens, Mark Yarbrough and Jeffery Cheshire. Cotton was formed when an even earlier group, the Seros, disbanded, so, consequently, an even bigger thrill came when Bobby Joiner and Eddie Middleton went on stage with Cotton forming once again, as the Seros. Bobby and Eddie crooned out “You’ve Lost that Lovin Feelin” and several other Righteous Brothers-styled duets. After the Seros awed the crowd, Eddie Middleton drew all eyes and ears as he remembered many of the departed musicians who entertained Albany for many years with a memorial and a beautiful prayer. Thanks Eddie.cRoom1

In the mid-60s, there was a well-loved group called Jay and the Knights. They migrated to the Savannah area, where they became the famous group “The Strange Bedfellows.” Gene Willis, Jay Willis, Jimmy Tabb, Woody Woodall and Jimmy Thornton (Jimbo), the original five members of the group, took the stage again after 40 years and blew everyone away with tunes like “Brown Eyed Girl” and “Stormy Monday”. The drummer, Woody Woodall, left the group during the 60s and was replaced with celebrity drummer Randy Brimberry of Brian Highland and the Jokers fame. As before, the group asked Randy to play a few songs to the delight of the whole room.

Not to be outdone, the original Echoes of the Billy and the Echoes fame — Jay Jacobs, Mike King, John Boyer and Mark Davis — delivered some smooth Southern rock, a little bit of country, and a little bit of rock-n-roll.

After they brought down the house, a jam session was started, where many of the musicians from south Georgia — including Danny Washburn and Mac Mercer — continued to belt out many favorites until the early hours of the morning.

What a night!

Written by John McNair.


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Music Scene: Have you met Thick Ankle Nancy?

Photo Caption: Thick Ankle Nancy is the house band at Austin’s Barbecue. Its members are (from left) Wendell Brooks, Brandon Bryan, and Trey Cooper.

Just when you think you’ve got the Albany music scene all understood and neatly categorized, it gives birth to something nobody was expecting. Such was the case about four or five months ago along the musical way in our fair city, as three local young men got together to create “the sickest song ever written”, according the band’s Facebook page, one that they did not record, and soon forgot. From that creative mind meld sprang Thick Ankle Nancy.

Trey Cooper, Brandon Bryan and Wendell Brooks have been quickly building a local reputation for offering up gutsy, top shelf, blues and soulful rock classics. Their sound and energy, cleverly masks their age and how long Think Ankle Nancy has been out on the streets. With influences like The Allman Brothers, North Mississippi Allstars, Jimi Hendrix Experience, Derek Trucks Band, Bob Dylan, The Black Crowes, The Band, Muddy Waters, Buddy Guy, Keb’ Mo’, and Eric Clapton, Thick Ankle Nancy brings styles of the past forward to stake out their own claim in the genre. Their treatment of the Allman Brother’s “Whipping Post”, while rekindling the original’s blues texture, comes across as if they came up with it on their own, from their own personal trials.

Thick Ankle Nancy seems to be a natural fit for the area venues they play. The crowds at Shugs BBQ, Harvest Moon, Austin’s, and Moultrie’s Blue Sky Grille, to name a few, have had the distinct pleasure of watching this auspicious beginning. Trey, the youngest at 17, is a Lee County High School senior, and leads on vocals, guitar, and harmonica. Wendell, the oldest at 25, backs up on vocals, and plays bass, while 21 year old Brandon drives the trio on drums and percussion.

TAN got its official start at Shugs, on Philema Road. Trey had been playing solo gigs, while Brandon and Wendell were playing in the area with other groups, but none had locked into anything that seemed to stick. Shugs had already booked Trey for some one-man performances but thanks to his girlfriend who knew Wendell, and Brandon’s sister that shared a class with Trey, the solo gigs evolved into the first night out for Thick Ankle Nancy. Right away, the three and those fortunate patrons of Shugs knew it was going to be hard to get her back in the house.

Cooper says their sound comes from a shared passion for the music of what he called “the best time in music”, referring to the ‘60s and ‘70s. The power trio lineup is no fluke. There was an effort to form a larger, six- or seven-piece band, but the feel of the three-an set up seemed to be the perfect way to go. “We draw a lot from other three man acts of that period like Cream and Jimi Hendricks Experience,”aid Cooper. The results certainly back him up on that. The guys have no desire to mimic what they hear as the “packaged’ sound of most pop music today. They much prefer to stick with what they call the “real” stuff; music that is performed just as much with the heart and soul as it is instruments and voice.

Their very rapid rise to local prominence has Thick Ankle Nancy working hard to wrap up a collection of original material, as they stay booked doing sets of well-known classics. While they are certainly grateful for the strong support from the serious Thick Ankle Nancy crowd known as “Anklets”, Cooper pointed out, “We are not interested in simply being a good cover band”. Two original songs are done, about three others are in the works, and they are giving thought to a few more. It’s all a bit heady, but they don’t seem to mind a bit.

And what about that name? Who is Thick Ankle Nancy? As with so many other things that come to be in Middle America these days, it happened at Wal-Mart. One of the guys was in a hurry to grab his father a card for Father’s Day, and there it was. Mixed in with all the typical rest, was an odd card showing an oddly attired woman, with large hair and a reference on the inside to the fact that “Thick Ankle Nancy did not get out much”. It just seemed to fit, and so it did.

Well she is certainly out now, and being rapidly booked all over the area. As of print time, the band is set to play the Blue Sky Grille in Moultrie on Oct. 17, The Powerline in Damascus on Oct. 23, at Darton College’s ‘Foodstock ‘09 in Albany on Oct. 29, and Harvest Moon on Nov. 6, with private parties sprinkled all around, up through the first week of December. For more information, go looking for Thick Ankle Nancy on Facebook or MySpace. You can’t miss her.

Thick Ankle Nancy is the house band at Austin’s Barbecue. Its members are (from left) Wendell Brooks, Brandon Bryan, and Trey Cooper.

LonMcNeil 09Written by Lon McNeil. Mr. McNeil is an Albany independent marketing consultant. Find him online at AlbanyOnPoint.



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Luke Brian Music Video Competition: August 17th – October 11th 2009

Video Contest Ends October 11th, 2009.

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Kinchafoonee Cowboys At Sasser this weekend

Saturday, August 29, 2009

Kinchafoonee Cowboys
What: A concert at one of Southwest Georgia’s most popular venues featuring the Kinchafoonee Cowboys.  Opening act is Jessica Padget at 7pm.  Bring your lawn chairs and coolers.
When: 8pm with gates opening at 6pm.
Where: Sasser Flea Market & Antique Mall. 8109 Albany Highway (US 82), Sasser, Ga.
Cost: $15 in Advance.  $20 at the Gate.
Info: call 229-698-4578.

The Kinchafoonee Cowboys began in December, 1991 in a pecan orchard in Terrell County, GA. The original group consisted of Shane Cannon, Keith Cromartie, Brad Hallford, Chad McGrath, and Glenn Tennyson, who all grew up (and still reside) in the Albany/Leesburg area. The band’s name comes from the Kinchafoonee Creek – a tributary of the Flint River that flows through Lee County and Albany. The band’s popularity soon spread to Athens, GA where several members were in college.

In 1998, guitarist Brad Hallford left the band to pursue a career in law enforcement and was replaced by “lefty” Chris Scarborough. Later that year, keyboardist/vocalist Jason Fuller joined the group, giving an extra dimension to the band’s sound.

Kinchafoonee has become a favorite around the state of Georgia, playing all types of venues from small clubs to large outdoor festivals. Over the years the group has shared billing with entertainers such as Alabama, John Anderson, Trisha Yearwood, Diamond Rio, Tracy Lawrence, Martina McBride, Widespread Panic, Blues Traveler, Dave Matthews Band, and many others.

The Kinchafoonee Cowboys have released four studio albums. The first, Sowega, was recorded in Athens, GA in 1991 at Saturn Recording Studio. Their second album, Deep Dark Water, was recorded in Nashville, TN at the Home Place Studio in 1994. (These first two albums are now sold together as a compilation called 1991-1994). Their third “self-titled” album, Kinchafoonee, was recorded at Maxwell Sound in Athens, GA in 1998. In 2001, Sic ‘em Dawgs was released as a single. Cowboy Ways: Live at the Georgia Theatre 2005 is their latest release. It has been receiving extremely high praise from old and new fans alike.

The Kinchafoonee Cowboys continue to tour throughout the state of Georgia.

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